. "s\u00F3lov\u00FD a sborov\u00FD zp\u011Bv"@cs . "16554514"^^ . "zp\u011Bva\u010Dka"@cs . "zp\u00EDvala"@cs . . . "p\u011Bveck\u00E9"@cs . . "73104"^^ . "sopr\u00E1n"@cs . . . "nezp\u00EDval"@cs . . . "vokalistky"@cs . . "Zp\u011Bv"@cs . "vok\u00E1ln\u00EDch"@cs . "p\u011Bvc\u016F"@cs . . "hlavn\u00ED zp\u011Bv"@cs . "zp\u011Bv\u00E1k"@cs . "zp\u00EDvan\u00FDm"@cs . "vok\u00E1l"@cs . "hlavn\u00ED vok\u00E1ly"@cs . "bas"@cs . "p\u011Bveckou"@cs . . . . "vok\u00E1l\u016Fm"@cs . "alt"@cs . "vok\u00E1ln\u00ED d\u00EDla"@cs . "zp\u00EDvali"@cs . "zap\u00EDvala"@cs . "Vok\u00E1ly"@cs . "vok\u00E1ly"@cs . . "vok\u00E1ln\u011B"@cs . "zp\u00EDvan\u00E9"@cs . "zp\u00EDvaly"@cs . . . "p\u011Bveck\u00E1"@cs . "vok\u00E1l\u016F"@cs . "p\u011Bvec"@cs . "s\u00F3lov\u00FD zp\u011Bv"@cs . "zp\u00EDv\u00E1n\u00EDm"@cs . . . . "vok\u00E1ln\u00ED"@cs . . "zp\u00EDvaj\u00ED"@cs . "Vok\u00E1l"@cs . . "housle"@cs . "zp\u00EDvaj\u00EDc\u00EDch"@cs . "Hlavn\u00ED vok\u00E1ly"@cs . "kabaretn\u00ED zp\u011Bva\u010Dky"@cs . "Zp\u00EDv\u00E1"@cs . . "vok\u00E1lem"@cs . "zp\u00EDval"@cs . "zp\u00EDv\u00E1n"@cs . "Zp\u011Bv"@cs . "tenoristou"@cs . "zp\u011Bvem"@cs . "Zp\u011Bv je specifick\u00FD hlasov\u00FD um\u011Bleck\u00FD projev, kter\u00FD se c\u00EDlen\u00FDm st\u0159\u00EDd\u00E1n\u00EDm t\u00F3n\u016F a zpravidla i rytmickou strukturou odli\u0161uje od b\u011B\u017En\u00E9 \u0159e\u010Di nebo recitace. O v\u00FDzkumu rozd\u00EDl\u016F mezi zp\u011Bvem a \u0159e\u010D\u00ED jsou publikov\u00E1ny \u010Dl\u00E1nky od konce 19. stolet\u00ED. N\u011Bkte\u0159\u00ED auto\u0159i se zab\u00FDvaj\u00ED nap\u0159\u00EDklad i rozd\u00EDly ve zp\u016Fsobu d\u00FDch\u00E1n\u00ED, kdy ve zp\u011Bvu je t\u0159eba br\u00E1t ohled na to, aby n\u00E1dechy nebyly p\u0159eru\u0161ov\u00E1ny fr\u00E1ze, kter\u00E9 ne v\u017Edy odpov\u00EDdaj\u00ED mluven\u00FDm v\u011Bt\u00E1m."@cs . "Zp\u011Bv je specifick\u00FD hlasov\u00FD um\u011Bleck\u00FD projev, kter\u00FD se c\u00EDlen\u00FDm st\u0159\u00EDd\u00E1n\u00EDm t\u00F3n\u016F a zpravidla i rytmickou strukturou odli\u0161uje od b\u011B\u017En\u00E9 \u0159e\u010Di nebo recitace. O v\u00FDzkumu rozd\u00EDl\u016F mezi zp\u011Bvem a \u0159e\u010D\u00ED jsou publikov\u00E1ny \u010Dl\u00E1nky od konce 19. stolet\u00ED. N\u011Bkte\u0159\u00ED auto\u0159i se zab\u00FDvaj\u00ED nap\u0159\u00EDklad i rozd\u00EDly ve zp\u016Fsobu d\u00FDch\u00E1n\u00ED, kdy ve zp\u011Bvu je t\u0159eba br\u00E1t ohled na to, aby n\u00E1dechy nebyly p\u0159eru\u0161ov\u00E1ny fr\u00E1ze, kter\u00E9 ne v\u017Edy odpov\u00EDdaj\u00ED mluven\u00FDm v\u011Bt\u00E1m. D\u016Fle\u017Eit\u00E1 je i rozd\u00EDlnost zp\u011Bvu a \u0159e\u010Di po str\u00E1nce funkce hlasov\u00E9ho apar\u00E1tu.Zp\u011Bv je nejsp\u00ED\u0161e nejp\u0159irozen\u011Bj\u0161\u00EDm a nejroz\u0161\u00ED\u0159en\u011Bj\u0161\u00EDm hudebn\u00EDm um\u011Bn\u00EDm. Je ho schopen prakticky ka\u017Ed\u00FD jedinec, t\u0159eba i s nepatrn\u00FDm, nebo \u017E\u00E1dn\u00FDm nad\u00E1n\u00EDm."@cs . "vokalisty"@cs . . . "zp\u00EDvaj\u00EDc\u00ED"@cs . . . "p\u011Bveck\u00FD"@cs . "p\u011Bvkyn\u011B"@cs . "zp\u00EDvat"@cs . "zp\u00EDv\u00E1n\u00ED"@cs . "doprovodn\u00FD zp\u011Bv"@cs . "zp\u00EDvanou"@cs . "zp\u011Bvu"@cs . . "Vok\u00E1ln\u00ED"@cs . "zp\u00EDvan\u00E1"@cs . "sborov\u00FD zp\u011Bv"@cs . "p\u011Bv"@cs . "21"^^ . "tenor"@cs . "4322"^^ . "zp\u00EDvan\u00FDch"@cs . "zp\u00EDv\u00E1"@cs . "zp\u011Bv"@cs . . "nazp\u00EDvala"@cs . "zp\u011Bvy"@cs . "p\u011Bveck\u00FD doprovod"@cs . . . . . "Hlas"@cs . . "vok\u00E1ln\u00EDm"@cs . "zp\u011Bvn\u00E9 vok\u00E1ly"@cs .